Mind Game, The Tatami Galaxy, and Walk On Girl, all revolve around living in the moment and seizing the day, with very similar styles and narrative structures. His earlier offerings, Kaiba and Kemonozume, each tell tales of humanity and connection, with the former discussing topics of existentialism and identity and the latter serving as a Romeo and Juliet-esque narrative between monsters and humans.
We’ve got Keep Your Hands of Eizouken!, exemplifying imagination through the medium to tell a love letter towards animation as a whole. We’ve got Devilman: Crybaby, a recent offering of unchecked violence and horror detailing the catastrophic inhumanities of warfare and the necessity for love and compassion. His exuberant, distinctly rough style works perfectly in tandem with his trademark storytelling motifs of living in the moment and being a better person.Ĭrayon Shin-chan was where he initially got his reputation, making an iconic character that has seeped into the Japanese consciousness for his crass yet still childish humor.īut when Yuasa started approaching anime with an adult audience in mind, that’s where his masterpieces came from. Masaaki Yuasa has made quite the name for himself, particularly throughout the 2010s.īut his portfolio of work stretches back decades. Perfect Blue, similarly, inspired Black Swan with its disturbing and psychologically unnerving portrayal of para-social relationships.Īnd Millennium Actress and Tokyo Godfathers are both wonderfully humanizing character studies, the former focusing on a fictional actress and the latter a group of homeless people.
Paprika directly inspired Inception in more than one way, telling a mind-bending, dream-hopping story of love and freedom with some of the best animation every seen in a film. His contribution to Memories was a haunting ghost story set in space with a simply breathtaking art design and cinematic scale. Paranoia Agent is a short TV-show with strong dementia and thriller undertones that utilized bathos perfectly, twisting and turning the narrative every episode to create a constantly engaging mystery. No matter which of his works you watch, expect a wonderful care for film-making and a unique character design and color usage tackling esoteric issues or dilemmas. He’s often regarded as one of the greatest directors of all time, and for good reason. Here’s hoping they can refine their style further, especially with a third season of Knights of Sidonia on the way.īut at least he left behind a beautiful portfolio of creative and distinct works. Or even the underrated Levius, a by-the-numbers boxing anime in the vein of Hajime no Ippo and Megalo Box.įrom the shadowy apparitions found in Ajin, through to the colossal Godzilla himself in all his gargantuan glory, Polygon have proven themselves fantastic at providing a sense of scale.
Simple comic art styles movie#
There’s the Blame! movie and Godzilla trilogy to keep you happy if you’re looking for a blockbuster. You have their best work, Knights of Sidonia, to entertain you with incredible space battles and surprisingly immersive worldbuilding. You have Ajin, a supernatural terrorist thriller with fantastic sound design and a very satisfying conclusion. While I agree their style can result in many similar looking characters, it’s in the action sequences and set pieces that their particular vision of anime shines. There are many people in the anime community who dislike the animated efforts of Polygon Pictures.
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